Summary
In the extremelycompetitive world of manga publicationruled by players such as Shueisha, Kodansha, Kadokawa, and Shogakukan, many artists and authors struggle to gain their first break in the industry. Additionally, few, if any, enjoy consistent levels of commercial success. When a series' ultimate fate is dictated by sales numbers and the threat of cancelation is ever present, the pressure to produce quality content is always high.
Naturally, when a series does garner praise and readership, it is normal for authors and artists to carry on their story and flesh it out as much as possible, to do justice to their efforts. On this note, thereare some exceptional manga that wenta bit too far in capitalizing on their success, dragging on their stories with significant dips in quality due to the immense demand for more content. While the legacy of these titles remains untarnished due to their unquestionable influence on subsequent manga, some of them could have fared better by concluding their stories at a more fitting juncture, instead of extending their serialization.
June 20, 2025 to July 08, 2025
22
Originally Published In
Weekly Shonen Champion
Starting off with an intriguing premise, complex character dynamics, and a chilling mystery at its heart, Paru Itagaki’sBeastarsattained considerable commercial and critical success quite early on in its run. This ranged from winning multiple awards to gaining an equally acclaimed anime by Orange in 2019. Set in a world filled with anthropomorphic animals, the series follows Legoshi, an adolescent gray wolf, who is forced to navigate the tensions between herbivores and carnivores in his high school as well as society at large.
Commencing with a gruesome murder that brought this conflict to the fore, the series explored its diverse cast of characters in considerable depth while slowly unraveling the whodunnit style plot that sparked its initial momentum. However, after this was resolved around themid-point of the manga’s eventual run, subsequent story arcs lacked the original depth and nuance of earlier ones, resulting in a stretched path towards its eventual conclusion.
June 16, 2025 to June 13, 2025
27
Adventure, Dark Fantasy, Sword And Sorcery
Monthly Shonen Jump, Weekly Shonen Jump, Jump Square
Without a doubt, the first half ofClaymore,prior to its lengthy time skip, features some exquisite storytelling, character writing, and action,leaving an impact on dark fantasy mangathat is discernible even today. Moreover, Norihiro Yagi’s artwork leaves little to be desired, with its abundance of detail playing an important role in fleshing out the macabre setting of the series, while also making the body horror in the story seem all the more terrifying.
Unfortunately, the perplexing end to the time skip, followed by the convoluted twists that defined the climax of the series were bland solutions to undo story beats that were included for shock value. Although there were a few monumental moments of catharsis towards the story’s end, the many reversed character deaths and unresolved loose ends, coupled with the all too convenient ending, made the series fall short of its initial promise, even if it still makes for a compelling read.
July 18, 2025 to May 10, 2025
14 + 16 (Tokyo Ghoul:re)
Weekly Young Jump
Sui Ishida’s work onTokyo GhoulandTokyo Ghoul:redeserves a great deal of praisefor how influential it has been in the realms of dark fantasy and psychological thriller series. Boasting an engaging initial concept that tackles issues such as discrimination, systemic corruption, and pertinent questions on identity,Tokyo Ghoulcontrasts its violent and brutal story with deep explorations of the human psyche when pushed to extremes.
The story revolves around Ken Kaneki, a mild-mannered human thrown headfirst into the world of ghouls — a carnivorous humanoid species that subsists on human flesh. After a near fatal accident results in him becoming a ghoul-human hybrid, the series sees Kaneki confront his new identity as a ghoul while being a major player in the conflict between ghouls and humans in the city of Tokyo. WhileTokyo Ghoulended on a massive cliffhanger, its sequel,Tokyo Ghoul:re, had a strong start, but the cracks in the narrative began to appear in its later arcs, which culminated in hard-to-follow action, forgettable new characters, and an underwhelming final battle.
Jul 28, 2025 to July 17, 2025
56
Weekly Shonen Sunday
Blending isekai elements with action, romance, and fantasy,Inuyashais one of the most successful manga by celebrated artist Rumiko Takahashi. The series follows 15-year-old middle school student Kagome Higurashi, as she is transported to a fantasy reimagining of Japan’s Sengoku period, where she meets the half-dog demon, half-human, Inuyasha. After becoming the host of the sacred Shikon Jewel, Kagome inadvertently breaks it into innumerable fragments which spread out across Japan.
On a quest to recover the broken fragments to prevent them from falling into the hands of the evil demon Naraku,Inuyasha and Kagome encounter many adventuresand allies along their journey, growing closer to one another in the process. The series was a considerable change from Takahashi’s earlier work, which held a more comedic tone, using its setting in the Sengoku Period to depict darker, violent themes that aligned better with the adventure and fantasy genres. That being said, the recycling of plot structures as well as some of the pacing issues of the manga’s narrative, did extend its run to some extent.
July 12, 2025 to May 29, 2025
70
Weekly Shonen Jump
Even thoughNaruto’sstatus as one of the original “Big Three” Shonen Jump manga is indisputable, the series experienced an obvious drop in quality towards the end of Part II. Masashi Kishimoto’s epic story of a boisterous knuckleheaded ninja striving to achieve his childhood dream of becoming Hokage, had many highs over the course of its 15-year run, but the latter half of the Fourth Shinobi World War has fared poorly when compared to earlier story arcs in the series.
The problems here ranged from soaring power creep to perplexing character motivations,leading up to a final antagonist who seemedto appear almost from thin air. In short, the War Arc is one of the most criticized aspects of an otherwise great series, which is made all the more alarming by the fact that it accounts for more than 200 chapters of the original manga, representing the single longest conflict in the entire story.
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Currently, the influence of Akira Toriyama’sDragon Ballextends far beyond the domain of manga, as it is a multimedia franchise that encompasses anime, film, gaming, card games, and a never ending stream of merchandise, among other things. Having inspired several sequel series, includingDragon Ball GTandDragon Ball Super, Son Goku’s tale has continued decades after its initial conclusion when the manga ended serialization back in 1995.
The immensely high quality of the manga’s art, storyboarding, action, and use of narrative arcs, have influenced virtually every shonen battle manga in the years since its release, including Shonen Jump’s “Big Three.” That being said, the Majin Buu Saga, which represented the final major story arc inDragon Ball, was a significant downgrade from the lofty standards Toriyama had set with preceding sagas in the series, such as the Cell Saga and the Frieza Saga. Despite some compelling moments — such as theintroduction of Fusion and Super Saiyan 3— the superfluous and dragged out battles of the Majin Buu Saga were a clear sign that it was high time to temporarily bid adieu to the Dragon World.
Few shonen manga have exerted as much of a mark on the medium as Buronson and Tetsuo Hara’sFist of the North Star. One of the best-selling manga in history, the series' influence can be seen even in contemporary seinen titles such asBerserk, which attests to how it set the template that many of its successors would rework and capitalize on. Taking place in a world ravaged by nuclear war, theseries follows Kenshiro, a lone martial artistnavigating the ruins of a post-apocalyptic wasteland in search of his betrothed, Yuria.
On his journey, Kenshiro encounters many rivals and allies, taking on dangerous gangs and criminal organizations competing for the scarce remaining resources on the planet. The series' art, ultraviolence, and post-apocalyptic setting have been lauded in the years since it ended publication, but its post-time skip storyline has received some criticism, since it dragged on the narrative after an almost perfect ending with Kenshiro and Yuria reunited and riding off into the sunset. Even though they did have their share of merits,Fist of the North Star’slatter arcs have long been rumored to be the product of the manga’s success, necessitating an extension to its story.
